Flexaretcetera

Original photography (and a bit of camera porn); mostly analogue origin images but with some ones and zeroes in the mix.

Samples from a roll of HP5 put through a Flexaret I. As indicated in an earlier post this is a very rare camera which, based on its condition before I started work on it, had probably seen no action for decades.

The buddha is one of my common minimum focussing distance tests as it occupies a dark, neglected spot in my back garden which is ideal for close focus wide open. Looks like close focus is off a little so I will have to re-adjust the focus screen position. The longer shots are reasonable for focus. 

The lens is very soft at all apertures and shows very low contrast. This is not a surprise, even the very much later Belars are soft and the Mirar on the Flexaret I is a simple triplet. This definitely puts it into the portrait category and contrast adjustment is straightforwards either during dev or print, depending on the subject. There is significant, but not unpleasant, vignetting down to f18 (yes, 18) and is probably still evident at f25 but I have not been there yet (and yes, f25; it is not a typo).

The emulsion has a lot of tramlines so I am going to have to go back and thoroughly clean the whole interior.

All exposures came out with decent density so it looks like the shutter is doing its job. There is a good range of tones throughout the low contrast negs including in the lowering clouds of this wet and dismal weekend. I am not disappointed by the performance of the Flexaret I. She may not be getting a name just yet though.

A few years ago I got hold of an Optikotechna Flexaret I. These are extremely uncommon outside of Czech Republic or Slovakia, so much so that I even broke my own rules and bought a non-functioning camera, just because it was a hole in my Flexaret collection. The main issues were a shutter which did not fire below 1/50th and some filthy glass (actually the whole thing was filthy).
Today, for no good reason, I decided to get the shutter working. This should be a simple matter of dropping off the rear element and applying some judicious cleaning agent. My lens wrench turned out to be too short to reach the rear element though so I had to go in through the front. This turned out to be serendipitous since the rigmarole of pulling off the front two elements of the taking lens exposes the entire shutter, the viewing lens and the focus ‘string’ so I ended up doing a complete clean.
There are two kinds of patina: the marks of long proper usage and the marks of general filth and neglect. Only one of these is a good thing and the poor Flexaret had both. As we know everyone smoked in the past and I cleaned a small tobacco farm’s worth of yellowish gunk from the glass and focussing screen. The front surface of the rear element of the Mirar was practically opaque and the middle element was starting to develop light fungus. Now it is all sparkly clean (uncoated triplets are the easiest thing to clean, especially front focusing in shutter triplets). I also fixed the infinity focus on both focusing and taking lenses. There is still some work to do: I should consider improving the clarity of the aperture markings but I do not want to do a repaint, I like the aged look.
One note for the unwary: the crackle-effect paint used on the focusing hood is soluble in isopropyl alcohol. Fortunately it is not soluble in soap and water.
Oh, and the original point: yes the shutter now fires on all speeds and they seem more or less right, as accurate as I can be bothered with anyway, so tomorrow I am going to take it out and put a roll of HP5 through it. Quite possibly the first time it will have been used in decades. Now she needs a name.

A few years ago I got hold of an Optikotechna Flexaret I. These are extremely uncommon outside of Czech Republic or Slovakia, so much so that I even broke my own rules and bought a non-functioning camera, just because it was a hole in my Flexaret collection. The main issues were a shutter which did not fire below 1/50th and some filthy glass (actually the whole thing was filthy).

Today, for no good reason, I decided to get the shutter working. This should be a simple matter of dropping off the rear element and applying some judicious cleaning agent. My lens wrench turned out to be too short to reach the rear element though so I had to go in through the front. This turned out to be serendipitous since the rigmarole of pulling off the front two elements of the taking lens exposes the entire shutter, the viewing lens and the focus ‘string’ so I ended up doing a complete clean.

There are two kinds of patina: the marks of long proper usage and the marks of general filth and neglect. Only one of these is a good thing and the poor Flexaret had both. As we know everyone smoked in the past and I cleaned a small tobacco farm’s worth of yellowish gunk from the glass and focussing screen. The front surface of the rear element of the Mirar was practically opaque and the middle element was starting to develop light fungus. Now it is all sparkly clean (uncoated triplets are the easiest thing to clean, especially front focusing in shutter triplets). I also fixed the infinity focus on both focusing and taking lenses. There is still some work to do: I should consider improving the clarity of the aperture markings but I do not want to do a repaint, I like the aged look.

One note for the unwary: the crackle-effect paint used on the focusing hood is soluble in isopropyl alcohol. Fortunately it is not soluble in soap and water.

Oh, and the original point: yes the shutter now fires on all speeds and they seem more or less right, as accurate as I can be bothered with anyway, so tomorrow I am going to take it out and put a roll of HP5 through it. Quite possibly the first time it will have been used in decades. Now she needs a name.

This dude asked me if my Flexaret was a radio. I told him it was a camera but he didn’t seem to believe me. Shanhgai GP3 film is really curly and if you ever use it take some masking tape with you because the sticky label at the end is not always sticky!

This dude asked me if my Flexaret was a radio. I told him it was a camera but he didn’t seem to believe me. Shanhgai GP3 film is really curly and if you ever use it take some masking tape with you because the sticky label at the end is not always sticky!

There may be some of you on Tumblr who have no idea what she is doing. That is a book; it is like an eReader but uses no batteries and you can see it in bright sunlight.

There may be some of you on Tumblr who have no idea what she is doing. That is a book; it is like an eReader but uses no batteries and you can see it in bright sunlight.

Street photography in Canberra with a Flexaret Va is an exercise in bloody minded masochism.

Street photography in Canberra with a Flexaret Va is an exercise in bloody minded masochism.

TIme to justify the name and post a photograph taken with a Flexaret.

TIme to justify the name and post a photograph taken with a Flexaret.